We decided to film in canary wharf because the estate had put up christmas lights and location had begun to look quite appealing. however we found out that we didn't actually have permission to film in between the buildings. so we had to find somewhere quite and not get any company names in the footage.
After we reviewed our footage we found that there was very little movement and the camera was very shaken. To improve this we need to make shots that had a lot more speed in the tracking and had better framing. From our last filming session we needed to improve the lighting, so we used the Top Light on the camera, mainly because the light was white and was easier to focus on the artists.
The audience and marketing campaign is centred around the audience being able to relate and be close to the artists, so we used a range of medium and close up shots to produce this relationship between artist and audience.
I filmed this because we were alternating in turns when it came to filming, directing, and sound management. I tired to incorporate all types of movement walking back and forward to make the end product interesting. although it was cold I tried my hardest to make sure that the camera was focused and was steady.
As we were location hunting we stumbled onto a building that was lit up with blue lights, we thought that this was a perfect back drop and the area was well lit. Also we had a lot more ground to film on so we were able to move around more without going against the risk assessment criteria.
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